Faultlines: Cultural Materialism and the Politics of Dissident ReadingClarendon Press, 1992 - 365 pages Through agile and often provocative discussions of texts by Shakespeare, Sidney, Donne, and Marlowe, the scope of dissidence and control is reassessed in relation to the state, gender and sexualities, religion and cultural production. Sinfield provides a hard-hitting critique of the role of Shakespeare in contemporary culture, and argues for new readings of our `national poet'. |
Table des matières
two Cultural Materialism Othello and the | 29 |
three When Is a Character Not a Character? | 52 |
An Outline Theory | 80 |
History Ideology and | 95 |
six History and Ideology Masculinity and | 109 |
Questions of Subjectivity | 143 |
eight Sidneys Defence and the CollectiveFarm | 181 |
Hamlet | 214 |
ten Cultural Imperialism and the Primal Scene | 254 |
Notes | 303 |
| 353 | |
Autres éditions - Tout afficher
Expressions et termes fréquents
absolutist action actually allowed American appear argued argument authority become believe Books Caesar called Calvin Cambridge chapter character Christian claim continuous course criticism cultural depends derives discourses dissident distinctive divine dominant early effect Elizabethan England English established fact fall further give Hamlet hand hence Henry History human idea ideology individual instance institutions issue James John killing kind king lines literary Literature London Macbeth Marxism means mind move nature observes Othello Oxford pagan person Philip play poetry political position present Press produce protestant puritan question quoted reason Reformation relations religion Renaissance respect role rule says seems sense sexual Shakespeare Sidney Sidney's social society story structure suggests supposed theory things thought traditional Tragedy Univ universal women writing York