From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism

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Yale University Press, Jan 1, 2014 - Art - 198 pages
Francisco Oller (1833–1917) was a Puerto Rican painter whose work was admired on both sides of the Atlantic. A native of San Juan, Oller spent over twenty years in Europe, establishing himself as one of the most distinguished transatlantic painters of his day. Oller participated in the pioneering movements of Realism, Impressionism, and naturalism, and he developed mutually influential relationships with such artists as Camille Pissarro and Gustave Courbet. These artistic trends informed his novel Realist-Impressionist approach, with which he would revolutionize the school of painting in his native Puerto Rico.

In this original and important book, Edward J. Sullivan advances close readings of works spanning Oller's entire career and offers insights into the development of the Caribbean basin in the nineteenth century. With rich illustrations, From San Juan to Paris and Back recasts Oller as a central figure in nineteenth-century art and restores the significance of Oller's work and his influence in shaping a uniquely Caribbean aesthetic.
 

Contents

Introduction
1
Chapter 1 FRANCISCO OLLER AND THE WORLDS OF THE CARIBBEAN
9
Chapter 2 FRANCISCO OLLER AT HOME AND ABROAD
47
Chapter 3 FRANCISCO OLLER AND RAFAEL CORDERO ART AND PEDAGOGY IN LATE NINETEENTH CENTURY PUERTO RICO
91
Chapter 4 THE BATTLE OF TREVIÑO OLLER AND THE DILEMMA OF OFFICIAL PAINTING
115
Chapter 5 PLANTAINS AND COCONUTS
137
Chapter 6 CONFLICTED AFFINITIES FRANCISCO OLLER AND WILLIAM MCKINLEY with Max Antonio Mischler
159
Epilogue OLLER AND HIS WORK IN THE MODERN IMAGINATION
175
Notes
179
Selected Bibliography
191
Illustration Credits
193
Index
194
Copyright

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About the author (2014)

Edward J. Sullivan is Helen Gould Sheppard Professor of Art History at the Institute of Fine Arts and the Department of Art History, New York University.

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