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absolute music actor aesthetic experience aesthetic image aesthetic perception aesthetic response aesthetic theory Alceste Alfred Noyes areas artist audience aware become carrion comfort Chapter color complex course created creative criticism dance dancer's image dancers effect elements empathic evocative evoke example experiential quality fact feeling fiction film frame Georg Lukacs happens important improvisational theatre individual involved kind of response King's X least less literary literature look Marriage of Figaro means Melvin Rader merely metaphor movie novel object ordinarily painting particular pattern perceive performance perhaps play pleasure poem poetry possible potential practical context problem question reactive emotion reactive response recognition recognize relationships resonant response rock music role satisfaction scene self-concern sense sensory simply social society someone sort sound Star-Spangled Banner striving structure Susan Sontag teacher teaching tends theatre there's things tion visual whole York