Perspectives on European Film and History
Leen Engelen, Roel Vande Winkel
Academia Press, 2007 - History - 279 pages
This volume addresses the representation of European history in European cinema through a collection of nine case studies such as Der Untergang (2004) and Dawn (1928).
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Andrei Rublev 1966 as a Historical Film
4 Artist Legends and the Historical Film
Cromwell 1970 Winstanley
7 Reframing the Past to Change the Future
The comfort of strangers
The Promise of History on Film
Notes on the Contributors
6 A truly fatherlandish epic? Karl Grunes Waterloo 1928
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abortion Adashova Adolf Hitler Andrei Rublev Anonymous artist audience Belgian Belgium Berlin British Film Cavell Film character cinema Constantin Film context critics Cromwell cultural Dawn death debate depicted documentary Downfall Drake dramatic Edith Cavell Eichinger essays fact feature film February Fest fiction Fiihrer bunker film's filmmakers France French Friend Ivan Lapshin German Goebbels historians historical films historiography historiophoty Hollywood icon interpretation intertextual Jeanne d'Arc Joachim Fest Joan of Arc Joan's Junge Kershaw Khanin Korda Lenfilm Locarno Locarno Treaties London mainstream Mike Leigh Miss Cavell movie myth Napoleon narrative Nazi Nurse Cavell Office painting past political portrayed postmodernist production question reconstruction release Rembrandt representation Review role Rosenstone Russian Saskia scene screen script September 2004 shot socialist realist soldiers Sorlin Soviet Stalin Stalinist story studies Tarkovsky television Third Reich Traudl Traudl Junge understand University Press Vera Drake Vera's viewer war films Waterloo Wilcox Winstanley Zuckmayer