Imaging the Chinese in Cuban Literature and CultureMore than 150 years ago, the first Chinese contract laborers ("coolies") arrived in Cuba to work the colonial plantations. Eventually, over 150,000 Chinese immigrated to the island, and their presence has had a profound effect on all aspects of Cuban cultural production, from food to books to painting. Ignacio López-Calvo's interpretations often go against the grain of earlier research, refusing to conceive of Cuban identity either in terms of a bipolar black/white opposition or an idyllic and harmonious process of miscegenation. He also counters traditional representations of chinos mambises, Chinese immigrants who fought for Cuba in the Wars of Independence against Spain. Imaging the Chinese in Cuban Literature and Culture fills a void in literary criticism, breaking new ground within the small field of Sino-Cuban studies. It is destined to set the tone for years to come. |
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Abakuá African Apunte histórico arrived in Cuba Asian Barnet Castro Chen Pan Chinaman Chinatown Chinese characters Chinese colony Chinese community Chinese Cuban Chinese culture Chinese in Cuba Chinese laborers chinos en Cuba choteo Choy Chuffat Latour Chui Chung Wah Casino Cold Havana Ground coolies Creole Cristina García Cuba Commission Report Cuban culture Cuban Revolution Cuentos cultural production discourse eternidad del instante ethnic group fact father Fidel Castro Flora Fong Fong's Havana's Chinatown identity island José José Martí Juan Latin American Likewise literary Luis mambí Mandarin María Martí Mayra Montero mestizaje migration Miguel Barnet Mo Ying Monkey Hunting Montejo mulatta nese novel opium Orientalism Orientalist orishas Padura Pérez plantations poems political protagonist race racial raza Regino Pedroso religion Rodríguez Sanfancón Santería Sarduy's Seuc Severo Sarduy Sino-Cuban Sinophobia Sío Wong Spanish stereotypical suicide Taoism testimonial tion traditional transculturation Western Wifredo Lam Yuan Pei Fu Zoé Valdés Zoé Valdés's