Tembang in Two Traditions: Performance and Interpretation of Javanese Literature |
Contents
INTRODUCTION | 3 |
THE STUDY OF TEMBANG STATE OF THE | 17 |
THE SETTINGS YOGYAKARTA AND BANYUWANGI | 39 |
Copyright | |
21 other sections not shown
Other editions - View all
Tembang in Two Traditions: Performance and Interpretation of Javanese Literature Bernard Arps,Ben Arps No preview available - 1992 |
Common terms and phrases
applied Arum-Arum Asmarandana Babad Demak Babad Mangir Banyuwangi canto cělukan cengkok central Java central Javanese characters composition conservative macaan contains contents Dhandhanggula dhang-dhing dipati discussion Durma final tone final vowel Hardjowirogo ingkang instance interpretation Jaleha Jamilun Javanese language Javanese script kang Kasmaran kawi Kemiren Kepatihan key stanzas Kitab Yusuf line-final linked literary lontar Yusup maca macaan macapat macapatan macapatan sessions Madurese manuscript means melismas melodic metrical Mijil narrative number of syllables Padmosoekotjo Pangkur participants Patangpuluhan patterns pauses pědhotan pelog performance phrase poetic popular macaan preceding prosodic prosodic mode Qur'an rancagan Rangsang reader reading session refer rhythm riptan ritual sampun sang sěkar Senapati sentence serat singer singing turn Sinom sira sisren slendro stanzas structure style sung rendition Surakarta syllable count syntactic tembang texts tembang verse tengahan textual tion traditional tune verse forms versification vocal voice vowel wong word boundaries written text Yogyakarta