In this book, Peter Brunette analyzes the theatrical releases of Austrian film director Michael Haneke, including The White Ribbon, winner of the 2009 Palme d'Or at the Cannes Film Festival. Perhaps best known to U.S. audiences for Cache, The Piano Teacher, and his remake of his own disturbing Funny Games, Haneke has consistently challenged critics and film viewers to consider their own responsibility for what they watch when they seek to be "merely" entertained by such studio-produced Hollywood thrillers. _x000B__x000B_Brunette highlights Haneke's brilliant use of uncompromising visual and aural techniques to express complex themes. His most recent films contain what has become his hallmark: a moment of violence or shock that is not intended to be exploitative, but that nevertheless goes beyond the conventional boundaries of most art cinema. Lauded for graphically revealing the powerful influence of contemporary media on social behavior, his films offer a chilling critique of contemporary consumer society. Brunette discusses Haneke's major releases in English, French, and German, including the film that first brought him to international attention, Benny's Video. The first full-length study of Haneke's work in any language, this book also includes an interview with the director that explores his motivations and methods._x000B_
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71 Fragments actors aesthetic Anna Anne Annie Girardot Arno Frisch artiﬁcial asks audience begins Benny Benny’s Video bourgeois camera character Christian Berger Cieutat cinema close—up Code Unknown conﬂict continues critique Daniel Auteuil difﬁcult director earlier ﬁlms Elfriede Jelinek Erika especially father feel ﬁgure Film ﬁlm’s ﬁlmmaker ﬁnal ﬁnally ﬁnd ﬁre ﬁrst ﬁxed French Funny Games Georges Georges’s gesture girl’s Haneke seems Haneke’s Haneke’s ﬁlm human identiﬁcation Isabelle Huppert jelinek’s Juliette Binoche killed long—take looking Majid manipulation MC and PR Michael Haneke mother motif Nadine Muse Naomi Watts narrative never novel obvious ofthe once Paul perhaps Peter Piano Teacher play Producers question reality representation Romanian says scene self—reﬂexive Seventh Continent Sharrett speciﬁc story suddenly television tells Toubiana theme there’s things throughout the ﬁlm Toubiana interview tracking shot Veit Heiduschka viewer violence visual voiceover Walter watching