Method and Meaning in the Poems of SwiftUniversity of Wisconsin--Madison, 1969 - 502 pages |
Contents
THE EARLY ODES | 6 |
CLASSICAL IMITATIONS | 44 |
CADENUS AND VANESSA AND | 89 |
Copyright | |
4 other sections not shown
Common terms and phrases
Abraham Cowley Aeneid Alexander Pope alliteration allusion Athenian Society Baucis and Philemon Beautiful Young Nymph biographical Cadenus and Vanessa Chloe classical colloquial comedy comic contemporary contrast Corinna Correspondence couplets Cowley Cowley's Critical decency Dryden Dublin edition effect emphasis English Essays Esther Vanhomrigh eulogist's eulogy exaggeration feminine rhymes fops Herbert Davis Hogarth Horace Horace's Horatian Hudibrastic humor hyperbolic imagery imitation implications intention John Jonathan Swift Lady's Legion Club literary manuscript metaphor moral Muse Nymph odes opening section Ovid panegyric parody passage passion Pindaric poem's Poems of Jonathan poet poetic political Pope praise printed poem Prose qualities reason rhetorical Sancroft satire scatological serious similes speaker Stanza Stella Story of Baucis Strephon structure style stylistic Swift's poems Swift's poetry Swift's verse Tale techniques thematic theme Thomas Flatman throughout the poem tion tone tradition travesty truth undercut unified unreason verse satire virtue volumes London Walpole Whig William Sancroft