The Actor at Work
Focusing on the underlying principles of the acting process, this volume continues to present an experiential sequence of exercises designed to help students develop a thorough understanding of the physical, vocal, analytical and ethical aspects of the actor's art. This accessible revision begins by concentrating on the preparation of body and voice in Part I. Part II then examines the concept of action, and Part III concludes by focusing on development of character in the rehearsal process.
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The Creative State
Centering and Moving
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acting process alignment Amanda Arthur Miller artistic attitude audience audition automatic awareness beat change become begin behavior Blanche Dubois blocking bodily body breath camera central conflict char character character's actions choice commitment consciousness Constantin Stanislavski create crisis David Mamet develop director dramatic function dual consciousness emotion energy flows Erving Goffman everyday example Exercise experience explore express feel fellow actors focus gestures Glass Menagerie Howard important impulse inner King Lear language Laura Lesson live Mamet meaning Moshe Feldenkrais move movement muscles natural partner performance person physical play playwright production psychological qualities relationship relaxation Remember response rhythm rience role Salesman scene objective sense sequence shape situation skills social someone sound speak specific speech stage Stanley Kowalski Streetcar Named Desire subtext superobjective tension theatre thing thought through-line tion traits turn vocal voice Willy Loman Willy's words Zoo Story