The Beautiful Boy

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Rizzoli International Publications, Nov 15, 2003 - Art - 256 pages
2 Reviews
From Adonis and images of St. Sebastian to James Dean and Calvin Klein models, beautiful boys have been quietly admired since the beginning of time. While most agree that women have been treated and depicted as sex objects, Germaine Greer's sensational thesis is that the erotic charge of male imagery has been rigorously repressed throughout history. Men and women alike have been blind to the sensuality and flirtatiousness found in images of boys, as well as to the many depictions of female bodies based on the juvenile male-from Michelangelo's female figures to waif like supermodels.
This iconic ideal of male physical beauty is revealed in hundreds of dazzling images by the world's greatest artists and photographers. The Kritios boy, Caravaggio's Love Triumphant, Larry Clark's Oklahoma City, Nijinsky in "L'Apres-Midi d'un Faune," Cellini's Narcissus, Donatello's David, Thomas Eakins' young swimmers, and many other examples, provide striking evidence that the models of today- with their wide shoulders and narrow hips-echo the boyish ideal.

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LibraryThing Review

User Review  - jadski - LibraryThing

I remember reading the review for this when it came out and was delighted to recently stumble upon it in my local library. I'm a fan of Germaine Greer and was intrigued at what she might have to say ... Read full review

LibraryThing Review

User Review  - Narcissa - LibraryThing

I can't remember why I desperately wanted this book when it was published... but I know I was disappointed. I think it's an interesting subject, but some of those photos are just SO wrong in a book like this, I can't understand why she wanted them to be there. Read full review


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About the author (2003)

Germaine Greer is a writer, academic, and broadcaster whose most famous book, The Female Eunuch, was first published in 1970 and became one of the most widely read books of the baby-boom generation. Her many subsequent books include works on women writers and painters; the politics of fertility and aging; and The Whole Woman (1999), which takes stock of the current situation of the feminist movement.

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