Mob Culture: Hidden Histories of the American Gangster Film
Lee Grieveson, Esther Sonnet, Peter Stanfield
Rutgers University Press, 2005 - Performing Arts - 311 pages
Sinister, swaggering, yet often sympathetic, the figure of the gangster has stolen and murdered its way into the hearts of American cinema audiences. Despite the enduring popularity of the gangster film, however, traditional criticism has focused almost entirely on a few canonical movies such as Little Caesar, Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding of this diverse and changing genre.
Mob Culture offers a long-awaited, fresh look at the American gangster film, exposing its hidden histories from the Black Hand gangs of the early twentieth century to The Sopranos. Departing from traditional approaches that have typically focused on the "nature" of the gangster, the editors have collected essays that engage the larger question of how the meaning of criminality has changed over time. Grouped into three thematic sections, the essays examine gangster films through the lens of social, gender, and racial/ethnic issues.
Destined to become a classroom favorite, Mob Culture is an indispensable reference for future work in the genre.
What people are saying - Write a review
Gangsters and Governance in the Silent
The Kefauver Crime Committee
Reclaiming Female Pleasures in the Lost History
Gangster Masculinity and the Homoerotics
Film Star and Public Enemy No 1
Good Evening Gentlemen Can I Check Your Hats Please?
Waddaya Lookin At? Rereading the Gangster Film through
Southern Italian Immigrants Crime
Invocations of Gangsters in Chinatown
Black Gangsters and the Abandoned City
Notes on Contributors