Mob Culture: Hidden Histories of the American Gangster Film

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Rutgers University Press, 2005 - Performing Arts - 311 pages
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Sinister, swaggering, yet often sympathetic, the figure of the gangster has stolen and murdered its way into the hearts of American cinema audiences. Despite the enduring popularity of the gangster film, however, traditional criticism has focused almost entirely on a few canonical movies such as Little Caesar, Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding of this diverse and changing genre.

Mob Culture offers a long-awaited, fresh look at the American gangster film, exposing its hidden histories from the Black Hand gangs of the early twentieth century to The Sopranos. Departing from traditional approaches that have typically focused on the "nature" of the gangster, the editors have collected essays that engage the larger question of how the meaning of criminality has changed over time. Grouped into three thematic sections, the essays examine gangster films through the lens of social, gender, and racial/ethnic issues.

Destined to become a classroom favorite, Mob Culture is an indispensable reference for future work in the genre.

 

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Contents

Gangsters and Governance in the Silent
13
Gangsters Hoodlums
41
The Kefauver Crime Committee
67
Reclaiming Female Pleasures in the Lost History
93
Gangster Masculinity and the Homoerotics
120
Film Star and Public Enemy No 1
146
Good Evening Gentlemen Can I Check Your Hats Please?
163
Waddaya Lookin At? Rereading the Gangster Film through
185
Southern Italian Immigrants Crime
207
Invocations of Gangsters in Chinatown
238
Black Gangsters and the Abandoned City
281
Notes on Contributors
301
Copyright

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About the author (2005)

Lee Grieveson is the director of the graduate program in film studies at University College London and the author of Policing Cinema: Movies and Censorship in Early-Twentieth-Century America.

Esther Sonnet is a principal lecturer at the University of Portsmouth and has published numerous articles on contemporary film, gender, and sexuality.

Peter Stanfield is a senior lecturer in film studies at the University of Kent at Canterbury and the author of Hollywood, Westerns and the 1930s: The Lost Trail.

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