Screening the Tortured Body: The Cinema as Scaffold

Front Cover
Mark de Valk
Springer, Nov 11, 2016 - Performing Arts - 342 pages

Inspired by Michel Foucault’s examination of state subjugation and control, this book considers post-structuralist notions of the ‘political technology of the body’ and 'the spectacle of the scaffold' as a means to analyse cinematic representations of politically-motivated persecution and bodily repression. Through a critique of sovereign power and its application of punishment ‘for transgressions against the state’, the collected works, herein, assess the polticised-body via a range of cinematic perspectives. Imagery, character construction and narrative devices are examined in their account of hegemonic-sanctioned torture and suppression as a means to a political outcome. Screening The Tortured Body: The Cinema as Scaffold elicits philosophical and cultural accounts of the ‘restrained’ body to deliberate on a range of politicised films and filmmakers whose narratives and mise-en-scène techniques critique corporeal subjugation by authoritarian factions.

 

Contents

Introduction
1
State EviscerationTortured Flesh
6
The Subjugated BodyPolitic as Spectacle
109
Framing Spectator Reception of State Retribution
175
Index
337
Copyright

Other editions - View all

Common terms and phrases

About the author (2016)

Mark de Valk is the Programme Leader and a Senior Lecturer in Film Production at The University of Winchester. His personal filmmaking includes working with essay film practices and experimental techniques across documentary and drama forms.

Bibliographic information