Orientation to the Theatre [sic] |
Contents
The fourthcentury B C theater at Epidaurus where the Greek National | 22 |
Plot | 61 |
Tragedy is Positive | 69 |
Copyright | |
18 other sections not shown
Common terms and phrases
absurdist acting area action actors appearance Argan Aristotle Artaud artist aspects Atheneum Publishers atmosphere attempt audience auditorium basic behavior Bertolt Brecht black comedy Brecht Brook Caucasian Chalk Circle characters climax comedy comic complete contemporary conventional costumes create dada dada dada dada devices dialogue Directed director drama dramatist effect Elizabethan emotional ensemble environment epic theater Estragon example experience experimental expressionists farce feeling Greek theater Hamlet hero human ideas illusion images imagination interpretation Josef Svoboda kind language laughter light live Marat/Sade material means melodrama modern Moličre movement nineteenth century orchestra performance Peter Peter Brook physical play playwright plot popular production proscenium arch protagonist psychological realistic rehearsal roles scene scenery sense Shakespeare social spectator speech Stage Design Stanislavski story structure style suggested techniques Theater Architecture theatrical theory thrust stage Toinette traditional tragedy tragic Tzara usually visual Vladimir Waiting for Godot York