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The fourthcentury B C theater at Epidaurus where the Greek National
Vll Tragedy is Positive
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absurdist acting area action actors Aeschylus appearance architecture Argan Aristotle Artaud artist aspects Atheneum Publishers atmosphere attempt audience auditorium behavior black comedy Brecht Brook Caucasian Chalk Circle characters climax comedy comic contemporary conventional costumes create dada dada dada dada dialogue Directed director drama dramatist effect Elizabethan emotional ensemble environment epic theater Estragon Eugene Ionesco example experience experimental farce feeling film Godot Greek theater Hamlet hero human ideas illusion images imagination improvised interpretation involved Ionesco Josef Svoboda kind language laughter lighting Living Theater Marat/Sade material means melodrama modem movement nineteenth century orchestra performance Peter Peter Brook physical platform play playwright plot production proscenium arch protagonist psychological realistic rehearsal roles scene scenery sense Shakespeare social spectator speech Stanislavski story structure style suggested techniques theatrical theory thrust stage Toinette traditional tragedy tragic visual Vladimir Waiting for Godot words York