Talk Fiction: Literature and the Talk Explosion
Everywhere you turn today, someone (or something) is talking to you?the television, the radio, cell phones, your computer. If you think some of the novels and stories you read are talking to you too, you're not alone, and you're not mistaken. In this innovative, multidisciplinary work, Irene Kacandes reads contemporary fiction as a form of conversation and as part of the larger conversation that is modern culture. ø Within a framework of talk as interaction, Kacandes considers texts that can be classified as "statements," that is, texts that wholly or in part ask for their readers to react? to talk back?to them in certain ways. The works she addresses?from writers as varied as Harriet O. Wilson, Margaret Atwood, William Faulkner, Virginia Woolf, Graham Swift, G_nter Grass, John Barth, Julio Cortūzar, and Italo Calvino?conduct their interactions in certain modes to accomplish different sorts of cultural work: storytelling, testimony, apostrophe, and interactivity. By focusing on texts within these groupings, Kacandes is able to relate the different modes of talk fiction to extraliterary cultural developments in our oral age?and to show how such interactions, however contrary to the dominant twentieth-century view of literature as art for art's sake, help to keep literature alive and speaking to us.
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Talk as Interaction
Talk as Sustenance
Talk as Witnessing
Talk as Performance
Talk as Collaboration
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abolitionists actual readers analysis answer apostrophe audience Butor's Calvino's chapter characters child choice circuit Cocoa connection consider context conversation conversation analysis Cortazar's cowitness create cultural deixis describe discourse Ekavi example experience feel first-person Frado frame story George Goffman's graffiti Greek hear hearers Hopscotch hypertext identify Interactive Story interpret Jewish Mother kind Kolmar's Laub lexia listening literate literature Lukis Lukis's Mahlke Mahlke's Mama Day Martha mode narrative narrator night a traveler Nina Nina's novel orientation to exchange passage Phantom Tollbooth Pilenz pronoun prose fiction protagonist Quintilian quoted radio refer relationship reply response role scene second person secondary orality sense someone speak speaker specific speech statement storytelling strategies suggest talk fiction talk radio talk shows television tell testimony textual tion translation trauma turn Ursula's verbal visitors Weimar Republic Willow Springs Wilson witnessing words writing