Acting: A Handbook of the Stanislavski MethodToby Cole |
Contents
INTRODUCTION by Lee Strasberg Page | 10 |
THE ACTORS Responsibility by Constantin Stanislavski | 18 |
THE WORK OF THE ACTOR by I Rapoport | 33 |
Copyright | |
9 other sections not shown
Other editions - View all
Common terms and phrases
achieve acting actor and director actor's creative artistic attention attitude audience become begins behaviour Brabantio character Chichikov cinema circumstances colors concentration consciousness CONSTANTIN STANISLAVSKI course create creative fantasy dead souls Desdemona direct dramatic elements emotion everything exercises experience expression feeling of truth film gesture give given Gogol Gogol's gondola Iago imagination important inner justification LEE STRASBERG Lilina listen living manner material means mechanical method Moscow Art Theatre movement muscles muscular freedom muscular tension nature necessary never object one's organic Othello partner performance person Petker phrase physical play playwright Plushkin possible problem production Quintillian reality rehearsal result rhythm Roderigo role scene scenic script shooting simple action sound speak spectator speech stage action stage inter-influence stage task Stanislavski Stanislavski system subconscious theatrical things thoughts tion Uncle Vanya understand Vakhtangov Vakhtangov Theatre voice watch whole Wit Works Woe words