The Romantic Ideology: A Critical Investigation
Claiming that the scholarship and criticism of Romanticism and its works have for too long been dominated by a Romantic ideology—by an uncritical absorption in Romanticism's own self-representations—Jerome J. McGann presents a new, critical view of the subject that calls for a radically revisionary reading of Romanticism.
In the course of his study, McGann analyzes both the predominant theories of Romanticism (those deriving from Coleridge, Hegel, and Heine) and the products of its major English practitioners. Words worth, Coleridge, Shelley, and Byron are considered in greatest depth, but the entire movement is subjected to a searching critique. Arguing that poetry is produced and reproduced within concrete historical contexts and that criticism must take these contexts into account, McGann shows how the ideologies embodied in Romantic poetry and theory have shaped and distorted contemporary critical activities.
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Abrams abstract aesthetic analysis appears artistic Austen ballad Blake Byron called Canto Childe Harold's Pilgrimage cism Coleridge Coleridge's commitments concepts contradictions creative cultural despair developed dialectical displacement doctrine dominant Don Juan emotional fact false consciousness German Ideology Hegel Hegelian Heine Heine's critique historical human Ideal ideas Ideological State Apparatuses illusions imagination important Jane Austen Keats Keats's Kubla Khan later Romantics literary criticism literature Lovejoy Marx Marxist Mellor's method mind non-Romantic object observe past Peele Castle philosophers poem's poet poetic polemic political present produced Prometheus Unbound reader relation Romantic Art Romantic Ideology Romantic Irony Romantic Period Romantic poems Romantic poetry Romantic School self-consciousness sense Shelley Shelley's social specific spiritual stanza structures Swingle Swingle's symbolic symbolic art theory of Romanticism things thou Tintern Abbey tion tradition transcend truth verse vision Wellek Wordsworth
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Ecological Literary Criticism: Romantic Imagining and the Biology of Mind
Limited preview - 1994