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A. R. Fulton accompaniment acoustic advent of sound aesthetic approach Arnheim art form artistic asynchronous sound audience aural Balazs basic become Bessie Love camera cinema Clair commentary composer concerned contrapuntal Copland creative culture dialogue difference director discussion Documentary Film efforts Eisenstein Eisler elements emotion Ernest Lindgren explained expression Faber fact Film London film maker film music film score film theory film's filmic functional hear Hollywood idea important interaction Kracauer Manvell and Huntley means motion picture Music continues Night Mail objective Paul Rotha perception potential practice principles problem produced Pudovkin reaction realistic reality Rene Clair rhythm River Rotha scene screen seems shot Siegfried Kracauer silent film Song of Ceylon sound effects sound film sound proper sound track theory spectator speech statement Susanne Langer talkies talking theorists theory and criticism thesis thing train understanding Vardac visual image whole words York