Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema
Annette Kuhn, Director of Graduate Studies Institute for Cultural Research Annette Kuhn
Verso, 1990 - Performing Arts - 231 pages
This is especially true of the science fiction film--a genre as old as cinema itself--which has rarely received the serious attention devoted to such genres as the western, the film noir and recently, under the aegis of feminist film theory, the so-called "woman's film." Alien Zone aims to bring science fiction cinema fully into the ambit of cultural theory in general and of film theory in particular. The essays in this book--some newly written, others gathered from scattered sources--look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre: the mise-en-scene of future worlds; the myth of masculine mastery of nature; power and authority and their relation to technology. This material is ordered and contextualized by the editor with a view to exploring how science fiction cinema has been approached critically and theoretically by commentators on the genre: as a mirror of society, as bearing or producing ideology; as caught up in an intertext of media productions, or as expressing unconscious desires. Contributors include Giuliana Bruno, Scott Bukatman, Thomas B. Byers, Barbara Creed, Anne Cranny-Francis, Daniel Dervin, H. Bruce Franklin, James H. Kavanagh, Douglas Kelner, Steve Neale, Judith Newton, Constance Penley, Hugh Ruppersberg, Michael Ryan, Vivian Sobchack, Michael Stern, J. P. Telotte, and Paul Virilio.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
aesthetic alien android archaic mother becomes biological birth Blade Runner Body Snatchers Born In Flames Burroughs character cinematic apparatus constructed contemporary conventions crew cultural instrumentality Deckard desire discourse displaced double dystopia essay example fantasy female Feminism feminist science fiction fetishism figure film genres film texts film theory film's force Freud function future hero horror film human Ibid ideological intertextuality Jean Baudrillard literal machine male maternal meaning messiah metaphor monster monstrous narrative nature original pastiche patriarchal phallic phallus planet political postmodern primal scene production psychoanalytic question Rachael reality relation replicants representation represented Ripley Ripley's robot science fiction cinema science fiction films Science Fiction Studies screen semiotic signifies simulation social society space special effects spectacle spectator Star Trek story structures suggests television Teresa de Lauretis Terminator textual things tion trans UBIK unconscious Videodrome viewer vision visual woman women York