Horror Zone: The Cultural Experience of Contemporary Horror CinemaRobin Wood has noted that horror 'has consistently been one of the most popular and, at the same time, the most disreputable of Hollywood genres'. Horror is still immensely popular but its assimilation into our culture continues apace. In "Horror Zone", leading international writers on horror take horror into the world outside cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans. They critically examine the ways in which the horror genre functions in all its multifarious forms, considering, for example, the Friday the 13th films as a contemporary grand guignol, the new series of Mummy and Blade films as blockbusters, and horror film marketing on the Internet. They also examine the relationship between the contemporary horror film and the theme park ride, the horror film as art house cinema, relationships between pornography and the horror film, set and costume design in horror films such as "The Silence of the Lambs", and the place of special effects in this most reputable of film genres. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
active aesthetic allows American appear argues associated attractions audience become Blair Witch blind body characters cinema classic consider contemporary continues conventions create critical cult cultural dark Dead demonstrate director disability discussion early effects Evil example experience exploitation extreme female festival fiction film's filmmakers final Friday the 13th genre Hannibal Lecter Haunted Hollywood horror fan horror films human important independent industry interactive interest International Jason live London looking magazines marketing material monster movie Mummy narrative Nazi notes offers opening paracinematic park particular play politics popular present Press production Project provides reading release Rick Baker ride scenes Screen sense sexual shows social specific Star story studies subcultural capital success suggests takes taste television texts theme turn University victims viewers vision York