Confessio Amantis

Front Cover
University of Toronto Press, Jan 1, 1980 - Poetry - 525 pages

Originally published by Holt, Rinehart, and Winston, 1966.

 

Contents

INTRODUCTION
xi
CHRONOLOGY OF GCWERS LIFE AND WORKS
xxx
THE LANGUAGE OF GOWER
xxxiv
SELECTED BIBLIOGRAPHY OF CRITICISM
xliv
PROLOGUS
1
THE STATE
4
THE CHURCH
6
THE COMMONS
15
TALE OF NARCISSUS
79
TALE OF ALBINUS AND ROSEMUND
82
NEBUCHADNEZZARS PUNISHMENT
88
TALE OF THREE QUESTIONS
91
LIBER SECUNDUS ENVY
103
THE TRAVELERS AND THE ANGEL
105
TALE OF CONSTANCE
108
TALE OF DEIANIRA AND NESSUS
139

NEBUCHADNEZZARS DREAM
18
LIBER PRIMUS PRIDE
33
TALE OF ACTEON
43
TALE OF MEDUSA
44
TALE OF MUNDUS AND PAULINA
49
TALE OF FLORENT
58
TRUMP OF DEATH
72
TALE OF CONSTANTINE AND SYLVESTER
147
LIBER TERCIUS WRATH
158
TALE OF CANACE AND MACHAIRE
159
TIRESIAS AND THE SNAKES
165
THE PATIENCE OF SOCRATES
168
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About the author (1980)

Best known as "moral Gower," as he is called by his friend Chaucer in the dedication of Troilus and Criseyde, Gower composed "balades" in the French fashion as well as three long poems, representing the trilingual status of the cultural and political elite of late fourteenth-century England. Mirour de l'Homme (Mirror of Man) (c.1376--78), a mammoth French poem of some 30,000 lines, deals with the seven deadly sins. Vox Clamantis (Voice of One Crying) (c.1379--81), in Latin, is a prophetic attack on contemporary political and social abuses in response to the Peasants' Revolt of 1381. Gower's lengthy and occasionally dreary Middle English poem Confessio Amantis (Lover's Confession) (1390), portions of which influenced Chaucer, is set as an allegorical confession of the poet-lover to Genius, the priest of Venus. In 34,000 lines, he retells several classical love stories illustrating cupidity and the other deadly sins.