Video Culture: A Critical InvestigationJohn G. Hanhardt |
Contents
INTRODUCTION JOHN G HANHARDT | 9 |
THE RADIO AS AN APPARATUS OF COMMUNICATION | 53 |
CONSTITUENTS OF A THEORY OF THE MEDIA | 96 |
Copyright | |
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Abel Gance actor aesthetic American apparatus art form Artforum artists audience avant-garde become Bertolt Brecht bourgeois Brecht broadcast TV CALIFORNIA/SANTA CRUZ camera capitalist Center cinema class struggle commercial communication concept consciousness created critical CRUZ The University cultural dadaism dominant electronic entertainment Enzensberger exhibition existence exploitation fact feedback film format function genre idea Ideological State Apparatuses imaginary individual industry institutions Ira Schneider ISAs labor power manipulation Marx Marxist mass material means mechanical medium ment monitor movie Museum Nam June Paik nature object P.M. Magazine Paik Paik's painting political possible present productive forces question radio reality relations of production representation Repressive reproduction role ruling class screen sculpture sense situation social structure tape technical television television's theory tion traditional TV's University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA video art videotape viewer Walter Benjamin York