The Coen Brothers' Fargo
William Luhr, William G. Luhr, Horton Andrew
Cambridge University Press, 2004 - Performing Arts - 162 pages
Fargo is the most commercially and critically successful film of Ethan and Joel Coen. Immediately recognized as an important work, it was nominated for five Academy Awards and received two, an exceptional achievement for a low budget, independently produced film without major stars. This volume explores Fargo from a variety of methodological perspectives. Providing a detailed account of the film's production, reception and place within the career of the Coen brothers, it explores issues and themes that are important to current film discourse, including genre, gender and sexuality, race, history, culture and myth.
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2 Fargo in Context
3 Motherhood Homicide and Swedish Meatballs
4 Fargo or the Blank Frontier
5 Kinda Funny Lookin
7 Closer to the Life Than the Conventions of Cinema
8 ColdBlooded Scheming
American audience Bakhtin Barton Fink Big Lebowski Blood Simple body Brainerd camera Carl and Gaear characters cinema Cinematographer Coen brothers Coen films comedy comic critics cultural dead Death Trip Director edited essay Ethan Coen evokes Fargo film noir film’s filmmakers Frances McDormand funny Gaear Grimsrud genre grotesque Harve Presnell Hollywood horror Hudsucker Proxy humor husband Jean Jerry Lundegaard Jerry’s Joel and Ethan Joel Coen Joel Coen Screenplay John Carroll Lynch kidnapping landscape language laugh look Macy male Marge and Norm Marge Gunderson Marge’s Mike Yanagita Miller’s Crossing Minnesota movie murder narrative Norm’s orchestra parody Paul Bunyan statue Peter Stormare play plot postmodern pregnant Production Company/Distributor Raising Arizona region Roderick Jaynes Roger Deakins says Scandinavian scene Scotty seems sense Shep Proudfoot shoot shot Showalter Showalter’s snow stereotypes Steve Buscemi story theme There’s tion tradition viewers Wade Gustafson Wade’s wife wood chipper