Biographical Dictionary of Eminent Artists: Comprising Painters, Sculptors, Engravers, and Architects, from the Earliest Ages to the Present Time ; Interspersed with Original Anecdotes. To which is Prefixed an Introduction, Containing a Brief Account of Various Schools of Art, Volume 1
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admired afterwards Albert Durer ancient Antwerp architect architecture art of painting artist beauty became Bologna born at Antwerp born at Paris brated brother cele celebrated Charles chiaro-scuro Christ church of St colouring composition copied Correggio death died Diet disciple distinguished Domenichino draperies drawing Duke Dutch Dutch painter elegance eminent employed England English engraver esteemed etched excellent executed father figures finished Flemish Flemish painter Florence flourished flowers France French engraver fresco genius Giovanni grace grand graver historical and portrait historical painter honour Houb imitated instructions Italian Italian painter Italy John King landscape painter Lord manner marble master ment merit Michel Angelo nature neat ornaments palace Paolo Veronese pencil Peter Pietro da Cortona Pilk plates portrait painter Prince principal prints pupil Raffaelle Rembrandt representing resided Roman school Rome Royal Academy Rubens sculptor statues Strutt studied style talents taste tion Titian traits tures Vandyck Venice
Page 228 - None of the sober grief, no dignity of suppressed anguish, no involuntary tear, no settled meditation on the fate she meant to meet, no amorous warmth turned holy by despair ¡ in short, all was wanting that should have been there, all was there that such a story should have banished from a mind capable of conceiving such complicated woe ; woe so sternly felt, and yet so tenderly.
Page xxxviii - ... nearest to perfection. His unaffected breadth of light and shadow, the simplicity of colouring, which, holding its proper rank, does not draw aside the least part of the attention from the subject, and the solemn effect of that twilight which seems diffused over his pictures, appear to me to correspond with grave and dignified subjects, better than the more artificial brilliancy of sunshine which enlightens the pictures of Titian...
Page xxvi - I feel a self-congratulation in knowing myself capable of such sensations as he intended to excite. I reflect, not without vanity, that these Discourses bear testimony of my admiration of that truly divine man; and I should desire that the last words which I should pronounce in this Academy, and from this place, might be the name of — MICHAEL ANGELO*.
Page 35 - I could be happy," he very movingly says, "on my going home, to find some corner where I could sit down in the middle of my studies, books, and casts after the antique, to paint this work and others, Where I might have models of nature when necessary, bread and soup, and a coat to cover me ! I should...
Page xiv - There is one precept, however, in which I shall only be opposed by the vain, the ignorant, and the idle. I am not afraid that I shall repeat it too often. You must have no dependence on your own genius. If you have great talents, industry will improve them : if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well-directed labour : nothing is to be obtained without it.
Page xl - Poussin in the latter part of his life changed from his dry manner to one much softer and richer, where there is a greater union between the figures and ground; as in the Seven Sacraments in the Duke of Orleans...
Page lxiii - He spoke, and awful bends his sable brows; Shakes his ambrosial curls, and gives the nod; ' The stamp of fate and sanction of the god: High heaven with trembling the dread signal took, And all Olympus to the centre shook.
Page 249 - I have no doubt but the celebrated festivals of Louis XIV. were copied from the shows exhibited at Whitehall, in its time the most polite court in Europe. Ben Jonson was the laureate, Inigo Jones the inventor of the decorations, Laniere and Ferabosco composed the symphonies, the king, the queen, and the young nobility danced in the interludes.
Page 277 - In about seven minutes he scarcely ever failed of drawing a strong likeness of any person present, which had generally much freedom and grace, if the subject permitted. He is likewise an excellent reader of blank verse, and will immediately convince any' one that he both understands and feels the striking passages of Milton and Shakspeare.