Film Criticism, Volumes 11-12Film Criticism, 1986 - Motion picture plays |
Contents
Editors Introduction | 1 |
The Documentaries of Werner Herzog | 15 |
The Politics of Genre in Welles The Stranger | 31 |
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aesthetic Andrei Angelopoulos audience Bazin becomes beginning camera character Charlotte cinema cinéma vérité close-up color contemporary context contrast cultural Days of 36 death desire diegesis directors discourse documentary double dramatic Eisenstein Ellen essay fact fantasy Fellini female feminist Film Criticism film language film noir film's filmmakers final frame genre Greek Helke Sander Hermann hero Herzog Hollywood human ideology Japanese Johnny La dolce vita Land of Silence Lavrier Lilith male Margarethe von Trotta Martins metaphor metonymic montage movement movie narrative nature Nostalghia novel Pasolini poetic realism political Poplar Lodge protagonist realism reality Reckless Moment Reese relationship role Ruth Ruth's Sarah scene screen seems sense sequence sexual shot signifier Silence and Darkness social Soviet spectator Stalin Steiner story structure style suggests symbolic Tarkovsky theme traditional Trotta viewer Vincent vision visual Werner Herzog woman women women film women's cinema Yanagimachi Yugoslav