A Potter's Book |
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Page 105
... painted , and her knowledge of the original subject matter of the patterns she used was limited to their traditional ... painting the work of trained artists is sophisticated , and that craftsmen of to - day need to recover a state where ...
... painted , and her knowledge of the original subject matter of the patterns she used was limited to their traditional ... painting the work of trained artists is sophisticated , and that craftsmen of to - day need to recover a state where ...
Page 121
... painting , it is advisable to hold a pot at some distance from the eyes , and to grasp the brush well away from the point , in order to see the work as a whole and paint with freedom . Gainsborough's outburst to a lady who was examining ...
... painting , it is advisable to hold a pot at some distance from the eyes , and to grasp the brush well away from the point , in order to see the work as a whole and paint with freedom . Gainsborough's outburst to a lady who was examining ...
Page 290
... Painted decoration , 85 Painting , 233 , 238 Paper patterns , 116 Paraffin , 202 , 205 , 216 , 245 , 248 , 249 Parian ware , 62 Paris Exhibition 1867 , 6 Pâte sur Pâte , 116 Pattern , 101 , 102 , 103 , 105 , 106 - 120 , 141 , 235 , 238 ...
... Painted decoration , 85 Painting , 233 , 238 Paper patterns , 116 Paraffin , 202 , 205 , 216 , 245 , 248 , 249 Parian ware , 62 Paris Exhibition 1867 , 6 Pâte sur Pâte , 116 Pattern , 101 , 102 , 103 , 105 , 106 - 120 , 141 , 235 , 238 ...
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aesthetic artist atmosphere ball clay bats beauty biscuit blue body brown brush brushwork carbonate celadons cent century ceramics chamber chimney china clay Chinese cobalt colour cones copper cracks craftsmen damp decoration dipping dishes draught dynasty East effect enamel feldspar fireclay firing flame flues flux fluxing agents foot frit galena grog Hamada hand handle hard heat high temperatures inches iron oxide Japan Japanese Kenzan kiln Korean material melting metal method Michael Cardew Ming porcelain mould obtained ochre Oriental packed painting pattern pieces pigment plaster plastic Plate porcelain pots quartz Red iron oxide reduced saggars salt-glazed sand sgraffito shape shelves Shoji Hamada sieve silica slipware soft stoking Stoneware Bowl stoneware glazes studio potter Sung Sung dynasty surface T'ang tea-bowls tenmoku texture thick thin throwing tiles tion tool tradition turning unglazed usually wall ware wheel white slip wood