The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added, Notes by Samuel Johnson and George Steevens. The Fourth Edition. Revised and Augmented (with a Glossarial Index) by the Editor of Dodsley's Collection of Old Plays, Volume 2
H. Baldwin, 1793
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acted actor afterwards ancient appears Aubrey audience Ben Jonson bequeath Blackfriars Burbadge Charles Charles Hart Cockpit comedy court death doth drama dramatick edition Elizabeth England entered executors exhibited fame fays Fletcher folio French George Buc Globe granted Hamlet hath Heminge Henry Chettle History Inigo Jones interludes Item James John Heminge John Shakspear John Underwood Jonson King Henry king's company lady Latin Lond London Lord Lord Chamberlain majesty Masque Master mentioned night passage performed persons petitioner piece players playes playhouse Plutarch poet poet's Poetry pounds present prince printed probably prologue Red Bull reign representation represented Revels Richard scenes servants Shakspeare Shakspeare's Sir Henry Herbert Sir John Sir William D'Avenant suppose Thomas Dekker Thomas Killegrew Thomas Killigrew thou tion tragedy translated unto verses Warton Whitehall wife William Beeston William D'Avenant words writer written
Page 506 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame; While I confess thy writings to be such As neither man nor Muse can praise too much.
Page 506 - And shake a stage; or, when thy socks were on Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come. Triumph, my Britain, thou hast one to show To whom all scenes of Europe homage owe.
Page 176 - True, representing some principal pieces of the reign of Henry the Eighth, which was set forth with many extraordinary circumstances of pomp and majesty, even to the matting of the stage ; the Knights of the order, with their Georges and Garter, the guards with their embroidered coats and the like; sufficient, in truth, within a while to make greatness very familiar, if not ridiculous.
Page 315 - Jonson was never a good actor, but an excellent instructor. He began early to make Essayes at Dramatique Poetry, which at that time was very lowe, and his playes tooke well. He was a handsome well shap't man, very good company, and of a very readie and pleasant smooth witt.
Page 182 - On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt?
Page 506 - The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Page 78 - How would it haue ioyed braue Talbot (the terror of the French) to thinke that after he had lyne two hundred yeares in his Tombe, hee should triumphe againe on the Stage, and haue his bones newe embalmed with the teares of ten thousand spectators at least (at seuerall times) who, in the Tragedian that represents his person, imagine they behold him fresh bleeding...
Page 530 - This pencil take (she said), whose colours clear Richly paint the vernal year : Thine too these golden keys, immortal Boy ! This can unlock the gates of joy ; Of horror that...