Image on the Edge: The Margins of Medieval Art
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished.
Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
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LibraryThing ReviewUser Review - cdddddd - LibraryThing
This book is good because of the subject - what do all those seemingly random doodles on the margin mean? Why is a knight fighting a snail? Why is a giant head with two legs walking around? But it ... Read full review
Review: Image on the Edge: The Margins of Medieval ArtUser Review - Wendy - Goodreads
Gems in this book: the etymology of baboon, from babeweyn, a deformed human in illustration the fatrasie, a poetic form linking bits of psychic rubbish in strict versification, producing images ... Read full review
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The End of the Edge