Art and Illusion: A Study in the Psychology of Pictorial RepresentationMet talrijke voorbeelden uit de kunstgeschiedenis toegelichte studie over de steeds veranderende wijze waarop de kunstenaar uitbeeldt wat hij ziet en ervaart en over de factoren die daarop van invloed zijn |
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Page 197
... Poster . 1953 A few clues presented with sufficient boldness and clarity will make us find the solution of the puzzle which the image presents to us . Without asking more ques- tions , we turn the rows of cigarettes in Abram Games's poster ...
... Poster . 1953 A few clues presented with sufficient boldness and clarity will make us find the solution of the puzzle which the image presents to us . Without asking more ques- tions , we turn the rows of cigarettes in Abram Games's poster ...
Page 224
... Poster . 1952 LECOMMUNICATIONS INLAND 220. ALICK KNIGHT : Poster . 1952 of observers to make a wire model of the trees concerned to bring out the different readings of the same image . A series of simple posters may serve to bring these ...
... Poster . 1952 LECOMMUNICATIONS INLAND 220. ALICK KNIGHT : Poster . 1952 of observers to make a wire model of the trees concerned to bring out the different readings of the same image . A series of simple posters may serve to bring these ...
Page 366
... Poster . 1952. By permission of the General Post Office , London . 221. Walter Hofmann : Poster . 1951. By cour- tesy of the Grazer Südost - Messe , Graz , Austria . 222. Mosaic panel from floor of a house at Antioch . Same source as 14 ...
... Poster . 1952. By permission of the General Post Office , London . 221. Walter Hofmann : Poster . 1951. By cour- tesy of the Grazer Südost - Messe , Graz , Austria . 222. Mosaic panel from floor of a house at Antioch . Same source as 14 ...
Contents
Introduction | 3 |
From Light into Paint | 29 |
Truth and the Stereotype | 55 |
Copyright | |
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Art and Illusion: A Study in the Psychology of Pictorial Representation Ernst Hans Gombrich No preview available - 1977 |
Common terms and phrases
Albrecht Dürer Alexander Cozens ambiguity André Malraux appear artist aware called canvas caricature century chapter Chinese cited clues colour Constable's context copy Cozens critics cubism discovery discussed drawing effect Egyptian experience expression fact famous figure Gallery of Art historian history of art idea illusion illusionist illustration imagination imitation interpretation invention J. J. Gibson John Constable Julius von Schlosser Kunst language learned Leonardo da Vinci light look means mental set method mind motif Museum National Gallery nature never object painter Paris pattern Perception perhaps perspective Philostratus photograph picture Plato portrait poster problem projection psychology reading reality Rembrandt rendering represent representation Rodolphe Töpffer Ruskin schema schemata seen shapes story style suggest theory things tion Töpffer tradition trick trompe l'œil truth Vasari visible world vision visual Visual Perception Wivenhoe Park York and London