How To Become A Musical Critic By Bernard Shaw |
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Page 157
... artistic rank which its wealth of artistic material renders possible . A strong chief is wanted there all the more because the string band is largely manned by young and very rough players , to whose artistic conscience Signor ...
... artistic rank which its wealth of artistic material renders possible . A strong chief is wanted there all the more because the string band is largely manned by young and very rough players , to whose artistic conscience Signor ...
Page 166
... artistic . To carry a season through without losing some thousands of pounds is a considerable feat of management . Consequently no demonstration that the money taken at the doors of a Wagner Theatre here would not cover expenses of ...
... artistic . To carry a season through without losing some thousands of pounds is a considerable feat of management . Consequently no demonstration that the money taken at the doors of a Wagner Theatre here would not cover expenses of ...
Page 168
... artistic com- pleteness gained in ballets through the necessity of giving the artistic inventor his own way on the stage ? The uses of a London Wagner Theatre would by no means be limited to the presentation of the works of Mozart ...
... artistic com- pleteness gained in ballets through the necessity of giving the artistic inventor his own way on the stage ? The uses of a London Wagner Theatre would by no means be limited to the presentation of the works of Mozart ...
Contents
HOW TO BECOME A MUSICAL | 1 |
THE EMERGENCE OF BASSETTO The 1880s | 45 |
THE WELLTEMPERED CRITIC The 1890s | 175 |
Copyright | |
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actor Albert Hall amateur artistic audience Augustus Harris Bach band Bayreuth Beethoven Berlioz better British music Carl Rosa century choir chord chorus clarionet composer concert conductor Covent Garden Crystal Palace Die Walküre Die Zauberflöte Don Giovanni dramatic Drury Lane effect Elektra Elgar England English feeling Festival fugue genius German Gounod Handel hear heard Herr Richter instruments Italian less Liszt Lohengrin London lyric Madame Marie Roze master Meistersinger Mendelssohn Meyerbeer Miss Mlle modern movement Mozart musical critic musicians never opera oratorio orchestra overture Parsifal performance persons Philharmonic piano pianoforte pitch play players popular present produced rehearsal sang Santley scene Schumann score season Shakespear Shaw Shaw's shew shilling Signor sing singers sonata song St James's Hall stage Star Strauss style success symphony Tannhäuser taste tenor thing tion tone trombones trumpet violin vocal vocalists voice Wagner Theatre Walküre whilst write