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sense of immediacy
INITIAL SOCIAL EFFECTS
THE RECORDING OF MOVEMENT AND
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abstraction achieved Albumen print Alfred Stieglitz art photography artist autochrome Baudelaire Beaumont Newhall became Berlin Bromide print Calotype Charles Negre Chronophotograph collage collector Collodion negative colour creative Daguerre daguerreotype Degas developed dimension drawing Duchamp Eakins effects exhibition experience expression Fernand Leger film Francaise de Photographie France French Gallery Geneva Heartfield History of Photography idea illustrated invention John Heartfield landscape light London Marey Max Ernst means medium Modern Art Moholy-Nagy Monet montage movement Museum Photo Muybridge Nadar nature Niepce Nude object Oil on canvas Oil painting optical painters Paper negative Paris Photo courtesy Photo Jean Dubout Photo Skira Archives photogram photomontage pictorial plate Pop Art portrait Private Collection produced published Raoul Hausmann Rayograph realism reality record representation reproduction salted paper print sequence Silver print snapshot space Stereoscopic Stieglitz studio Susan Sontag technique things vision visual Walter Benjamin wrote York