2 Guys on Holy Land

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Wesleyan University Press, 1993 - Poetry - 60 pages
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The poetry of Walid Bitar is a bracing antidote to the decorous meditations and maudlin confessions of much of modern American poetry. Sharp, engaged, and darkly funny, Bitar's poetry explores the conflicts and tensions inherent at the intersection of traditional Western modes of thought with modern geopolitical realities. In his first collection, Bitar employs a supple language in a bitingly satiric mode.
Bitar's poems are vividly animated by the playful use of American vernacular. He is attempting, he says, to "move towards a language with the energy, the range of references, and the humor of cabaret." But beneath the joking and punning there is a darker current of real power, a telegrammatic vision of the tragic consequences of miscomprehension, of the limits of language and human communication, of our inevitable isolation within our own skins.
 

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Contents

Belgium and I A Variation on the Tortoise
7
From Inside Great Distances
17
Blind Date
23
Cain
31
Dance of Death
43
Espionage
50
Attaboy
56
Copyright

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About the author (1993)

Walid Bitar has previously published three other books of poetry: Maps With Moving Parts (Brick Books), Guys on Holy Land (Wesleyan (Wesleyan University Press/University Press of New England), and Bastardi Puri (The Porcupinea s Quill). He has also been published in four anthologies, including The New Canon: An Anthology of Canadian Poetry (Signal (Signal Editions/Vehicule Press) and in journals across Canada and the United States. He was born in Beirut, Lebanon, and lives in Toronto.

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