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The fineart context
The prehensile image
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ambiguity artists Bacon began Bacon's painting Battleship Potemkin beauty behaviour Berlin called camera canvas century cinema colour complete context Crucifixion David Sylvester Degas Duchamp's earlier Ehrenzweig's element European favourite feel Figure Study film formal Francis Bacon gamble George Dyer Gogh grand happens Henrietta Moraes human figure human head idea instance instinct Isabel Rawsthorne kind late later left-hand panel living London look Lucian Freud Lying Figure matter Michel Leiris mirror Muriel Belcher Muybridge Muybridge's National Gallery nature never notion Nude painter parallel Paris pastel photographs Picasso picture point of fact Pope Pope Innocent X Portrait of George Portrait of Lucian portraiture Private collection remember Roy de Maistre sculptural seems Self-portrait sense single image sitter someone sort stands strange Street Study for Portrait subject-matter Tate Gallery thing Three Studies triptych turn unconscious scanning Vertical thinking violence York