The blood poets: a cinema of savagery 1958-1999
This thought-provoking and insightful study of 40 years of American violent cinema ties together the multiple disciplines of psychology, criminology, censorship, and anthropology. The study is divided into two volumes: Volume 1: American Chaos, From Touch of Evil to The Terminator, and Volume 2: Millennial Blues, From Apocalypse Now to The Matrix. Horsley raises a new dialogue between scholars and movie buffs as readers struggle to find their own answers to the connection between the need to portray and the need to watch violent films.
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Images into Consciousness 1963 and Beyond
Auteur and Industry The Individual
1971 The Year of the AntiHero
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The Blood Poets: Millennial blues : from Apocalypse now to The matrix
Limited preview - 1999
actors actually alien American anti-hero artist assassination audience basic Baxter become Blade Runner blood Bonnie and Clyde brutality Chainsaw characters cinema comedy Coppola Corleone course crime Cronenberg dead death demons devil director Dirty Harry Don Vito dream Eastwood evil eyes fact fantasy feel film's filmmakers finally Fistful of Dollars genre gives Godfather hell hero Hitchcock Hollywood horror film horror movie human idea imagine irony killer kind Kubrick least less living look Manson McCabe Mean Streets Michael monster moral murder nasty Natural Born Killers nature never nightmare obsessed Palma paranoia Pauline Kael Peckinpah perhaps perverse played plot Polanski Psycho Quinlan Romero Rosemary's Baby scene sci-fi Scorsese Scorsese's screen seems sense sexual shot simply soul Strangelove Straw Dogs takes Taxi Driver Texas Chainsaw Massacre there's thing Travis Travis's victim video nasty Videodrome villain violence vision wholly Wild Bunch zombies