Basic Issues in Aesthetics |
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Page 62
... Goodman even claims that the " laws ” of perspective are not visual laws at all , but conven- tional practices.13 Goodman's views on the conventionality of representation are hotly de- bated . 14 Some people have mustered ...
... Goodman even claims that the " laws ” of perspective are not visual laws at all , but conven- tional practices.13 Goodman's views on the conventionality of representation are hotly de- bated . 14 Some people have mustered ...
Page 64
... Goodman's work here primarily concerns whether he is correct that all the important necessary or identifying characteristics of a musical work are captured by or in a score . Tempo , for example , does not meet his notational ...
... Goodman's work here primarily concerns whether he is correct that all the important necessary or identifying characteristics of a musical work are captured by or in a score . Tempo , for example , does not meet his notational ...
Page 73
... Goodman , Languages of Art , pp . 127-73 . 19. Goodman , Languages of Art . Goodman states five requirements for a notational system , two syntactic and three semantic : ( 1 ) Syntactic dis- jointness : " Two marks are character ...
... Goodman , Languages of Art , pp . 127-73 . 19. Goodman , Languages of Art . Goodman states five requirements for a notational system , two syntactic and three semantic : ( 1 ) Syntactic dis- jointness : " Two marks are character ...
Contents
Defining Beauty Art and Aesthetic | 2 |
Aesthetic Judgments and Policies | 10 |
Artistic Intentions | 17 |
Copyright | |
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aesthetic experience aesthetic objects aesthetic properties aesthetic value Aesthetics and Art argue Art Criticism art forms artistic activity artworks attention audience beautiful believe Carl Andre Chapter claim color contemporary context creative culture David Pole definition describe discussed driftwood E. H. Gombrich emotion evaluation example explain feel film formal formalists give Gombrich Goodman I. A. Richards Ibid insist instance intentions interpretation Isenberg Jan Steen Journal of Aesthetics Kendall Walton kind language of art look means Monroe Beardsley moral Morris Weitz movie nature Nelson Goodman non-aesthetic P. F. Strawson painting Peggy Mount philosophers play pleasure poem problems produce question reasons representation response Richard Wollheim role sentences social someone sort statements Steen's Stolnitz Suzanne Langer symbol taste tell theories of art theorists theory of aesthetic things tion Tolstoy Tormey truth understand vase viewers Vincent Van Gogh visual vocabulary words