Music and copyright |
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Contents
Music and Morality | 3 |
Copyright and the International Music Industry | 22 |
Technology Economy and Copyright Reform in Canada | 40 |
Copyright | |
7 other sections not shown
Common terms and phrases
1968 Copyright Act agencies amendment argument artists Association audio Australian authors authorship Berne Convention Bette Midler blank tape broadcasting Canada Canadian cassette cent claim collection commercial composers concept concerning consumers copying copyright law copyright owners copyright protection Copyright Tribunal countries court creative cultural Digital Audio Tape economic electronics European example fees film folklore Folkloric Board foreign Ghana Ghanaian home taping ifpi income individual infringement inquiry intellectual property interests internal regulators issue Japan Japanese jasrac Kpanlogo legislation licensing mechanical Midler moral rights Music Business music copyright music publishers musicians neighbouring rights organisations original Oswald performing rights societies Phonographic piracy Plage Plunderphonics popular music ppca problem producers radio recognised record companies record industry record producers recorded music industry regulatory role Rome Convention royalties sampler sampling Sinatra song sound recordings sound-alike style television tion trade treaty users
Bibliographic information
| Title | Music and copyright Edinburgh law and society series Law and Society Series |
| Author | Simon Frith |
| Editor | Simon Frith |
| Contributor | Simon Frith |
| Publisher | Edinburgh University Press, 1993 |
| Original from | the University of Michigan |
| Digitized | Jan 25, 2010 |
| ISBN | 0748604812, 9780748604814 |
| Length | 171 pages |
| Subjects | › › Copyright Copyright Music Copyright/ Music Law / Intellectual Property / Copyright Law / Intellectual Property / General Music Music / Business Aspects |
| Export Citation | BiBTeX EndNote RefMan |