The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
From inside the book
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Page 18
... Cézanne's whole effort was directed towards the physical world - the shapes of Mont Ste - Victoire , of the tumbled inchoate rocks of the Bibémus quarry , of six dense red apples or his gardener's face . The idea of Cézanne as the ...
... Cézanne's whole effort was directed towards the physical world - the shapes of Mont Ste - Victoire , of the tumbled inchoate rocks of the Bibémus quarry , of six dense red apples or his gardener's face . The idea of Cézanne as the ...
Page 27
... Cézanne's own motifs , and in the summer of 1908 he went off to paint in L'Estaque , in the South of France , where Cézanne had worked . His work there began as almost straight Cézanne . How it developed can best be seen by comparing a ...
... Cézanne's own motifs , and in the summer of 1908 he went off to paint in L'Estaque , in the South of France , where Cézanne had worked . His work there began as almost straight Cézanne . How it developed can best be seen by comparing a ...
Page 125
... Cézanne loathed the stylization of Gauguin , his sinuous outlines and decorative flatness , because it was too simple , and he was trying to kick Bernard out of imitating it ; but few young painters knew enough to see Cézanne's immense ...
... Cézanne loathed the stylization of Gauguin , his sinuous outlines and decorative flatness , because it was too simple , and he was trying to kick Bernard out of imitating it ; but few young painters knew enough to see Cézanne's immense ...
Common terms and phrases
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York