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aesthetic American Anton Webern Arnold Schoenberg artistic asked audience Babbitt ballet Barrault became Beethoven Berg Berlin Boulez began Boulez conducted Brahms Cage Cage's Cologne completely composer composer's composition concert conductor contemporary music Craft Darmstadt David Tudor death Debussy Diaghilev dodecaphony Domaine early electronic everything France French friends German Glock harmony heard idea instruments interview Ircam John Cage language later Leibowitz listener Luciano Berio Mahler Mallarme Marteau melodies Messiaen Milton Babbitt Moseley moved movement music director musicians neoclassic neoclassicism never opera Opus orchestra Paris Pelleas performance Petrushka piece Pierre Pierre Boulez Pierrot Lunaire played poem Polyphonie X Pousseur premiere published Quartet rehearsal repertory rhythm Rite of Spring Robert Craft Rosbaud Russian score serial sound Souvchinsky Stockhausen Stravinsky Strobel structure Symphony technique Tezenas thought told tonal tone traditional Tudor Varese Varese's Vienna Viennese Virgil Thomson Wagner wanted Webern writing written wrote Wuorinen York Philharmonic