The Potter's ManualAn essential reference for all potters. Clear, easy-to-follow format with hundreds of step-by-step illustrations make this book a must for all workers in clay.******64 full-color illus. |
From inside the book
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Page 151
... fired on at a temperature of 800 ° C - 950 ° C ( 1470-1740 ° F ) to fire away the oil and adhere the pigment to the ware prior to glazing . If this is not done the oil could erupt through the glaze in the early stages of firing . Glazing ...
... fired on at a temperature of 800 ° C - 950 ° C ( 1470-1740 ° F ) to fire away the oil and adhere the pigment to the ware prior to glazing . If this is not done the oil could erupt through the glaze in the early stages of firing . Glazing ...
Page 182
Kenneth Clark. Bisque and glaze firing 1 1 1 lec : Once द RBR ther TH 2 C d. THIS SECTION explains the principles of the two firing methods used for many types of ware . Bisque firing takes place before glaze is applied ; the final firing ...
Kenneth Clark. Bisque and glaze firing 1 1 1 lec : Once द RBR ther TH 2 C d. THIS SECTION explains the principles of the two firing methods used for many types of ware . Bisque firing takes place before glaze is applied ; the final firing ...
Page 186
... glaze . This is called local reduction because it only affects the glaze , not the body , and it takes place in an oxidized kiln firing rather than in a reducing atmosphere . This method of reduction is used for reducing copper when ...
... glaze . This is called local reduction because it only affects the glaze , not the body , and it takes place in an oxidized kiln firing rather than in a reducing atmosphere . This method of reduction is used for reducing copper when ...
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Common terms and phrases
agateware Alan Caiger-Smith alumina applied areas ball clay base basic oxides bisque firing bone china bowl brush burnished carbonate casting slip cent ceramic china clay China stone clay body coils colored clays colored glazes copper cristobalite decoration dish earthenware edge felspar flux footring frit give glaze and fired glaze firing grog hand handling inglaze kaolin kiln layer leather-hard Lucy Rie luster manganese mesh metal mixed mixture mold painted pieces pigment plaster plastic clay Points to remember porcelain potters prepared printing Raku raw materials red clay reduce reduction firing rolled scraped scratched Sgraffito shape shrinkage sieve silica silk screen slab slip cast slip trailer smooth soda soft spray stains Stoke-on-Trent stoneware stoneware glazes suppliers surface surplus clay technique temperature texture thickness thin thrown tiles tool transparent glaze turning UK Diameter UK Height vase ware wheel wheelhead