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The Nature and Limitations of
The Evolution of the Musical Scale
From Speech and Recitation to Folk
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accompaniment aesthetic Alapas ancient artistic belong Bharata Bilawal Chapter character chords chosen classical music combination notes consonant consonant note consonant or dissonant Dhrupada difference notes dissonant drone employed folk-music folk-songs form of musical Fourth fundamental note further G-type Gamakas Gandhara give given glide Harmonic Third hence Hindusthani music Indian music instruments intervals Jatis Khyal laws Madhyama Grama Matanga Matra means melody metres Minor Third mood music notation musical effect musical note musical sound nature notation Octave Odd lines Pandit Bhatkhande particular performer pitch poetic theme poetry practice prime note principle prominence Raga-scale Raga-system Ragas Rasas recitation relationship rhythm rhythmic Riga Sadja Grama Sama-Gana Sangita Sarhgadeva simple song speech Srutis Sthayee stringed instruments Suddha scale sung syllables system of music Tambura Tanas tetrachords Thumri time-measure tion tonality tone tonic note tuning Unity of Indian Vadi variations Vedic chant vocal voice vowel Vrttas