Hindustani Music: Its Physics and Aesthetics |
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Contents
The Nature and Limitations of | 25 |
The Evolution of the Musical Scale | 36 |
From Speech and Recitation to Folk | 52 |
Copyright | |
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accompaniment æsthetic Alapas ancient artistic Bharata Bilawal C₁ chapter character chords chosen classical music consonant consonant or dissonant Dhrupada difference notes dissonant drone employed F₁ Folk music folk-music folk-songs form of musical Fourth fundamental note further G-type G₁ Gamakas Gāndhāra give given glide hence Indian music instruments interval Jātis Khyal laws Matanga Mātrā means melody metres Minor Third mood music notation musical sound nature Octave Odd lines Pandit Bhatkhande particular performer pitch poetic theme poetry practice prime note principle prominence Raga Raga-scale Raga-system Rāgas Rasas recitation relationship rhythm rhythmic Sangita Sarngadeva simple song speech Śrutis Suddha scale sung syllables system of music Tambura Tānas tetrachords Thumri time-measure tion tonality tone tonic note tuning Unity of Indian Vādi variations vocal voice vowel ग ग ग रे सा गग्ग गरे ग्ग नि नि म ग रे रां रे ग रे सारे सासा