The theory of oral composition: history and methodology
The Theory of Oral Composition presents a history of the field of oral-formulaic theory. Foley examines the roots of the theory in 19th-century philology and anthropology, documents the contributions of Milman Parry and Albert Lord, measures the effects of Lord's comparative extensions through the impact of The Singer of Tales, and considers important other contributions.
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Philology Anthropology and the Homeric
From Homeric Text to
Comparative Oral Traditions
5 other sections not shown
aesthetic Albert Lord American Philological Association ancient Greek Anglo-Saxon aspects Ballad bard Beowulf Bynum chansons de geste chapter comparative composed context contributions enjambement epithets essays fieldwork Foley Folklore formulaic analysis formulaic density formulaic diction formulaic structure formulaic system further genre Gesemann Greek oral guslar Harvard hero Heroic Songs hexameter Homeric epic Homeric poems Homeric Question ideas Iliad Iliad and Odyssey important language later linguistic literary Lord's medieval memorization meter metrical Middle High German Milman Parry modern Greek multiformity Murko narrative pattern noun-epithet formulas Old English Poetry Old French oral composition oral epic tradition Oral Literature oral narrative oral poet oral poetry Oral Theory oral tradition Oral-Formulaic Theory original Parry and Lord Parry Collection Parry-Lord Parry's performance Philology phraseology phrases poetic scholars scholarship SCHS Serbo-Croatian singer Smailagic Meho South Slavic South Slavic epic Studies style texts textual thematic University Press verbal verse words writings Yugoslav