Arcadian Pastoral Characters in Post-Elizabethan MusicStanford University, 1985 - 190 pages |
Contents
EARLY ENGLISH BAROQUE | 36 |
PASTORAL OPERA OF THE EIGHTEENTH CENTURY | 41 |
NINETEENTH CENTURIES | 64 |
Copyright | |
3 other sections not shown
Common terms and phrases
Alfred Einstein Amaryllis Aminta Apollo Arcadian pastoral aria bass Bateson Blick cadence catches and glees century Chaucer Cloris composers CORYDON Cupid Daphne Diana Eclogue Edmund Fellowes elegies Elizabethan Ellis Gibbons English madrigals Example Faerie Queene fedeltà premiata Fileno Fillis flow'r fweet gleich schön Gloriana goddess grau Greek Guarini's II pastor Handel Haydn Heinrich Schütz hemiola Herz Idyll Italian madrigals kehr kräf Kranz Küß La fedeltà premiata legend Lieder Lilien literary lover madrigalistic madrigals measures melismas mentions Mirtillo Monteverdi MOPSUS Morley musical musician nahm nymph pastor fido pastoral characters pastoral opera pastoral poetry pastoral references Phyllis Pilkington poem poets prangst Purcell Purcell's quan Renaissance Ride la primavera Roman Schmalzriedt schö Schütz sei-ne schö-ne shepherdess shepherds sings songs Sonn soprano Spenser Spenser's Faerie Queene style süß Sylvia Tasso's Aminta tenor Theocritus Thyrsis trägst Triumphs of Oriana verses Violone Virgil's Weelkes Wilbye