The Necessity of Art: A Marxist Approach |
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Page 31
... means of expression , too , were nothing other than imitation . The word was regarded as largely identical with the object . It was the means of grasping , comprehending , mastering the object . We find that nearly all primitive races ...
... means of expression , too , were nothing other than imitation . The word was regarded as largely identical with the object . It was the means of grasping , comprehending , mastering the object . We find that nearly all primitive races ...
Page 95
... means of expression . Mayakovsky , too , was a destroyer of old forms - and his poetic method proved magnificently suited for expressing the reality of revolution . And Brecht , too , though with greater formal moderation , applied the ...
... means of expression . Mayakovsky , too , was a destroyer of old forms - and his poetic method proved magnificently suited for expressing the reality of revolution . And Brecht , too , though with greater formal moderation , applied the ...
Page 148
... means that had become available for its realization , or did a new vision of height , the Gothic sense of exaltation ... expression of a particular form of society . The art of a historically complex age can never be homogeneous , if only ...
... means that had become available for its realization , or did a new vision of height , the Gothic sense of exaltation ... expression of a particular form of society . The art of a historically complex age can never be homogeneous , if only ...
Contents
The Function of Art | 7 |
The Origins of Art | 35 |
Art and Capitalism | 49 |
Copyright | |
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Common terms and phrases
abstract alienation ancient animal atoms attitude Baudelaire Baudelaire's became become Beethoven's Bertolt Brecht bourgeoisie Brecht capitalism capitalist capitalist world class struggle collective common consciousness contradictions critical realism crystal dialectical dream El Greco element everything existence experience feeling feudal formal fragments Friedrich Schlegel German Romantic German Romanticism Goethe Gothic Gothic art Hanns Eisler Hegel human ideas images imitation Impressionism individual Kafka kind l'art language late bourgeois world literature living longer lyric poetry magic man's Marx matter means of expression modern movement nature NECESSITY OF ART never Novalis novel objects organs original paintings passion peasant personality poem poet poetry polyphony primitive problems production recognize relationships revolution revolutionary Romanticism ruling class sense sexual social conditions social content social reality socialist art socialist realism society songs sorcerer specific Stendhal stone style symmetry tendency things tion tribe unity whole words wrote