The Necessity of Art: A Marxist Approach |
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Page 22
... nature and confront it as a creator . When he did , the difference was this . His brain no longer reflected things merely literally : because of the experience of work , it could now also reflect natural laws and reckon with causal ...
... nature and confront it as a creator . When he did , the difference was this . His brain no longer reflected things merely literally : because of the experience of work , it could now also reflect natural laws and reckon with causal ...
Page 32
... nature . Thus a being evolved out of nature through the use of tools and through the collective working process . This being - man- was the first to confront the whole of nature as an active subject . But before man became his own ...
... nature . Thus a being evolved out of nature through the use of tools and through the collective working process . This being - man- was the first to confront the whole of nature as an active subject . But before man became his own ...
Page 117
... nature . Every creature attains , within the order of things , its own maximum perfection by action suitable to its nature , i.e. by activity corresponding to its natural form . The formal cause is identical with the final cause ; form ...
... nature . Every creature attains , within the order of things , its own maximum perfection by action suitable to its nature , i.e. by activity corresponding to its natural form . The formal cause is identical with the final cause ; form ...
Contents
The Function of Art | 7 |
The Origins of Art | 35 |
Art and Capitalism | 49 |
Copyright | |
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Common terms and phrases
abstract alienation ancient animal atoms attitude Baudelaire Baudelaire's became become Beethoven's Bertolt Brecht bourgeoisie Brecht capitalism capitalist capitalist world class struggle collective common consciousness contradictions critical realism crystal dialectical dream El Greco element everything existence experience feeling feudal formal fragments Friedrich Schlegel German Romantic German Romanticism Goethe Gothic Gothic art Hanns Eisler Hegel human ideas images imitation Impressionism individual Kafka kind l'art language late bourgeois world literature living longer lyric poetry magic man's Marx matter means of expression modern movement nature NECESSITY OF ART never Novalis novel objects organs original paintings passion peasant personality poem poet poetry polyphony primitive problems production recognize relationships revolution revolutionary Romanticism ruling class sense sexual social conditions social content social reality socialist art socialist realism society songs sorcerer specific Stendhal stone style symmetry tendency things tion tribe unity whole words wrote