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absolute pitch aesthetic response affective reactions affective responses Amer analysis attitude beat C. E. Seashore capacity cent chords composers compositions considered consonance consonance and dissonance correlation decibels dissonance effects of music experience experimental factor feeling frequency function harmony hearing Heinlein Hevner Ibid increase individual instrument intensity intervals Kwalwasser learning listener loudness Measures of Musical Measuring musical melody method Monogr Mursell music New York Music therapy musical ability musical behavior musical responses musical stimuli musical talent musical taste musicians notes octave organism overlearning overtones P. R. Farnsworth perception performance piano pitch discrimination played preferences program music Psychol psychology of music reinforcement reliability repetition reported rhythm S. S. Stevens scale Schoen score Seashore Measures Seashore tests selections singing sound wave stimulus object subjects Suzuki method tempo tests of musical theory timbre tion tonal memory tones tuning fork validity vibrational violin voice