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Notes and Signs
4 other sections not shown
abduction alphabet of movements angle BCD angle of 450 arm movements artists axis Ballet School battements Bolshoi Theatre bones choreographic art classical dance clef Commission complementary signs placed conic surface CORPS HUMAIN Coxo-femoral articulation crotchet dance notation degree of bending describes elbow elevation Entrechat example express femur Fibula fifth position Figure flexion and extension foot gives an angle Glenoid cavity Gorsky human body humerus Imperial Ballet Company Imperial Theatres indicate Kinetographie Laban knee Laban Labanotation left leg leg in front leg movements maitre de ballet ment metacarpus method Moscow move movement equals 450 movements are written musical signs normal position Paris pelvis Petersburg Ballet principal movements quaver recording right leg rotation outwards Rudolf Laban Saint Petersburg Scapulo-humeral second degree Secondary Movements semibreve shoulder shown in Fig sideways sign in Fig signs shown spinal column Stepanov's system symmetrical Tamara Karsavina Tibia torso translation V. I. Stepanov vertebrae wrist written as shown