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19th century absence actors Anne Art Director articulation authorial Barthes become bisexuality body Cahiers du Cinema camera Carl Dreyer Christianity culture Danish Day of Wrath death desire dialogue diegesis diegetic Director of Photography discourse Dreyer-text Dreyer's films episode essay fantastic father Fedja feminine fiction Film Theatres filmic foregrounding frame Freud function Gertrud hypnosis ideology Inger institution Jesus Joan of Arc Johannes Karl Freund Karl Victor Kristeva's language Leaves from Satan's Lidman light look male marked marriage Michael mins mise-en-scene montage mother movement narrative Nora Gregor Nordisk Films Kompagni novel object Ordet organising painting passion patriarchal phantasy play position Preben Frank present problem production Raoul Walsh relation religious representation represented rhythm Rudolph Mate Satan Satan's Book scene Screen Script Dreyer semiotic sexual shadow shot signifying practices social Soderberg speak spectator story structure symbolic Vampyr Victorine viewer voice woman words Zamikow Zoret