Acting: A Handbook of the Stanislavski MethodToby Cole "Known the world over as the father of the Method, Constantin Stanislavski revolutionized the way actors practice their craft. In this collection of essays by Stanislavski and his students who carried the method forward into the modern period, the actor will find indispensable aid in developing his or her craft, freeing creativity and spontaneity, and discover valuable advice from the master himself." -- Publisher's description |
From inside the book
Results 1-3 of 30
Page 56
... achieve this effect on the spectator ? We must regard the fiction and make - believe that surrounds us on the stage as though it were real . By means of stage - belief , as serious an attitude towards the fictitious as towards the real ...
... achieve this effect on the spectator ? We must regard the fiction and make - believe that surrounds us on the stage as though it were real . By means of stage - belief , as serious an attitude towards the fictitious as towards the real ...
Page 125
... achieve the necessary contraposition and comparison . And so we achieve comparison and contraposition in utilizing different layers and planes , of the voice . We shall acquire the necessary powers of expression only when this is ...
... achieve the necessary contraposition and comparison . And so we achieve comparison and contraposition in utilizing different layers and planes , of the voice . We shall acquire the necessary powers of expression only when this is ...
Page 129
... achieving a specific emotion is by using " affective recollections , " that is , by awakening in the memory a ... achieved in this way through a sense mem- ory of sunshine sinking in through one's pores . SCENIC FAITH This term defines ...
... achieving a specific emotion is by using " affective recollections , " that is , by awakening in the memory a ... achieved in this way through a sense mem- ory of sunshine sinking in through one's pores . SCENIC FAITH This term defines ...
Contents
INTRODUCTION BY Lee Strasberg | 13 |
THE ACTORS RESPONSIBILITY by Constantin Stanislavski | 23 |
THE WORK OF THE ACTOR by I Rapoport | 41 |
Copyright | |
9 other sections not shown
Common terms and phrases
acting actor and director actor's creative artistic attention attitude audience become begins behaviour CALIFORNIA/SANTA CRUZ character Chichikov cinema colors concentration consciousness Constantin Stanislavski course create creative fantasy CRUZ The University CRUZ UNIVERSITY dead souls Desdemona direct dramatic elements emotions everything exercises experience expression external feeling of truth film gesture given Gogol Iago imagination important inner justification Lilina living manner material means mechanical method Moscow Art Theatre movement muscles muscular freedom muscular tension nature necessary object one's organic Othello performance person Petker phrase physical play playwright Plushkin problem production Quintillian reality rehearsal result rhythm Roderigo role SANTA CRUZ scene scenic script shooting simple action sound speak spectator speech stage action Stanislavski Stanislavski system subconscious technique theatrical thing thoughts tion Uncle Vanya understand University Library UNIVERSITY UNIVERSITY OF CALIFORNIA UNIVERSITY OF CALIFORNIA/SANTA Vakhtangov voice watch whole words