A Cultural History of TheatreThis comprehensive, multicultural text presents the history of theater within a framework of cultural and social ideas. |
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Page xiii
... theatre history courses . We present the history of theatre within a framework of cultural and social ideas . because we believe that theatre occurs in a cultural context . This belief is based on several underlying assumptions : that ...
... theatre history courses . We present the history of theatre within a framework of cultural and social ideas . because we believe that theatre occurs in a cultural context . This belief is based on several underlying assumptions : that ...
Page 1
... theatre history lies not in finding interesting things to study , but in limiting such a study in a meaningful fashion . To some people the theatre is nothing more than a commercial venture . Yet for every entrepreneur there is another ...
... theatre history lies not in finding interesting things to study , but in limiting such a study in a meaningful fashion . To some people the theatre is nothing more than a commercial venture . Yet for every entrepreneur there is another ...
Page 6
... history reveals that theatre has served a variety of purposes that directly influence the nature of the dramas and their performances . These functions ... theatre history , 6 / INTRODUCTION Theatre and Society The Study of Theatre History.
... history reveals that theatre has served a variety of purposes that directly influence the nature of the dramas and their performances . These functions ... theatre history , 6 / INTRODUCTION Theatre and Society The Study of Theatre History.
Contents
Classical Athens | 10 |
Theatre at Epidauros | 12 |
Doryphorus | 19 |
Copyright | |
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18th century acting action actors Aeschylus African-American American artists audience auditorium beauty became began Brecht Broadway Bunraku ch'uan-ch'i characters Chinese Chinese Opera chorus classical Comédie-Française comedy comic commedia commedia dell'arte concept costumes court created critics culture dance developed Dionysus director dominant drama effects Elizabethan emotional England English entertainment Europe existence famous festival focus focused French German Greek hero Hrosvit human ideas important individual Italian Kabuki king London major medieval medieval theatre modern Molière moral Moscow Art Theatre movement musical theatre nature opera painting performance period person Plautus plays playwright political popular present production realistic religious Renaissance role Roman Romanticism scene scenery scenic script seating Shakespeare social society Spanish spectacle spectators stage story structure style successful Theatre History theatre structure theatrical traditional tragedy troupe tsa-chü University Press visual women writing wrote York young